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[[Image:Msminterior07duo.jpg|thumb|right|600px| The main exhibition space and research areas of the Museum as they appeared in 2007.]]
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[[Image:Msm interior museum 12079506 898929033529345 1093773669658577739 n.jpg|thumb|400px]]
  
<blockquote>''A German critic, W. Bürger [writes] "Our Museums...are veritable graveyard-yards in which have been heaped up, with a tumulour-like promiscuousness, the remains which have been carried thither...all are hung pell-mell upon the walls of some noncommittal gallery—a kind of posthumous asylum, where a people, no longer capable of producing...come to admire this magnificent gallery of débris.”''
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[[Image:Photo book 2010 wrong side of the tracksP1040849.jpg|thumb|400px|The Main Street Museum and the famous Underpass—charming example of the vernacular architecture of White River Junction, Vermont.]]
:'''—G. Brown Goode,''' ''Museums of the Future,'' Smithsonian Institution, Washington, D. C., 1891: p. 427 </blockquote>
 
  
== [[General Introduction]]==
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[[Image:Entrancesign08.jpg|thumb]]
[[Image:Firestationfront2007SM.jpg|thumb|250px|Museum headquarters—the renovated White River Junction Fire District One building.]]
 
[[Image:Foxprofile.jpg|thumb|Fox (''Vulpes'') or trickster.]]
 
  
<blockquote>''Lives of great men will remind us''
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==What We Are and What We Do==
:''We can mold life as we choose,''
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The Main Street Museum is a small, public collection of curiosities and artifacts, each one is significant and each one tells some kind of story about human beings and the complex, sometimes baffling universe we are a part of. The aim of the Museum is the study of an accumulation of small details, cultivating among both specialists, and among the general public, a sense of wonder at the big questions that arise when we study and categorize objects and our reactions to them. We believe that our relationships with objects are more complex than usually acknowledged—indeed sometimes far more complex.  
''And departing leave behind us''
 
:''Towels, safety pins, and shoes.'' </blockquote>
 
<center>'''—E. Bishop,''' 5 September 1929</center>
 
  
[[Main Street Museum Catalog of Artifacts (Catawiki)|The Collection of artifacts]] at the Main Street Museum is a unique experiment in [[material culture studies]], consisting of objects of varied origins—man-made, historical, biological, botanical and mineralogical. The objects' significance lies in their layered meanings. These layered meanings are brought to light, explored, analyzed and "batted about" by a collaborative effort of Museum visitors, staff, and donors. The Museum forges nimble links and reflects meanings from object to object, from object to viewer, and from the viewer back to the object again.  
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Located in central Vermont, our collections are accessible by visiting us in person, or through our online [[Catawiki|"wiki" style catalog]]. At present we are open only by appointment, however. As well as studying and cataloging objects we present live music, glass lantern slide presentations, vaudeville shows, films and ''Spectacles'' to the public.
  
The physical repository for our artifacts resides in a renovated fire station in White River Junction, Vermont. This 1893 building is rich in historic and narrative content. Consider, as a metaphor, the sugar Easter-egg. Our artifacts are contained within another, larger, artifact, decorated on both interior and exterior surfaces.
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==[[Rent the Museum!|Rent the Museum! Click here for more info!]]==
  
The largest portion of our website — the portion you are browsing right now — is constructed on a “wiki”-code platform and includes the [[Main Street Museum Catalog of Artifacts (Catawiki)|catalog]] of our varied holdings utilizing open source technology that is fully accessible and available for unmoderated modifications and additions.
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==Shoppe with Us! [[The Museum Gifte Shoppe]]==
  
Assigning nuanced values to artifacts is increasingly difficult in the environment of most major collecting institutions. The neutrality of theoretical systems utilized by any museum is currently being called into question. As a small independent repository the Main Street Museum has the flexibility—indeed the mandate—to examine the layered and ever changing meanings of objects and their relationships to their surroundings. As the uses for objects are more or less continuously in flux, we analyze these uses through traditional disciplines (art historical, scientific and qualitative methods), but also through psychological analysis as well. Our emotional relationships with objects are formed circuitously. Therefore the meaning of objects is unlocked only through similar, indirect means. [''[[General Introduction|learn less]]'']
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The Museum Gift Shoppe is currently closing out its inventory. We still feature "[[White River Junction; Its not so Bad!]]" [[T-shirts|t-shirts]], mugs, souvenirs, a wide variety of books on museums and museum-y things, our own booklets—hand-stitched, gumball machine charms and wonky gifts that "must be seen to be believed!"
  
==[[History]]==
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==Our Reading Room!==
<blockquote>“White River Junction—a beauty spot in the midst of a valley of beauty and cheer.” —''Gateway to Vermont,'' 1903</blockquote>
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[[Image:Seamonstersquidsailor20000.jpg|thumb|Monsters! Monsters are cool!]]
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Come see our books!
  
The museum opened on South Main Street in 1992 and immediately attracted a broad cross-section of citizenry: academics, art professionals, musicians, politicians, journalists, the under-employed, habitual evil-livers, and also quite ordinary people (it might as well be admitted, that many in all of these categories were my own blood relatives). Here then was the first site for the museum. It had been the former home of a renown local restaurant, “Lena’s Lunch”. It was a narrow storefront space which had been a public space for over 100 years—a silent picture theater, indoor miniature golf, and a bowling alley, also a restaurant with transvestite waitresses—yes, submarine sandwiches by day and “Judy” and “Barbara” by night. There ought to be a plaque. Here Elvis impersonators and High-Art all enjoyed equal admiration. (or, High-Art claimed as much admiration as it can, when competing with Elvis impersonators.) Our home was directly across the street from an American Legion Hall; and there are no better critics. They would be completely and utterly potted every night. They withheld nothing. [[History|[''learn less'']]]
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==Covid-19 Hours==
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The Museum is currently under construction and reorganization during our shut-down of large public events. We will be conducting outdoor projections and "spasms" on the first Fridays in the summer months of 2021. Indoor events will resume before the Fall. Email info@mainstreetmuseum.org or text 8(zero)2.356.2776 before your visit. —Thanks!
  
==[[What's Goin On?]]==
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==Admission==
[[Image:FirestationcartooonSM.jpg|thumb]]
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The Museum suggests a $5 to $50 donation for visiting our collections. Volunteer for an hour at the Museum and receive free admittance to the Museum!
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<br>Guided tours of the Museum and its collections include a demonstration of the Museum's 1930 Æolian Stroud player piano and 1926 Orthophonic Victrola.
  
White River Junction's Center for Cartoon Studies and the Main Street Museum continue the summer film program "ARTifacts" with a special evening with the New England Premiere of the dance mockumentary THE BENTFOOTES on Tuesday, July 22. The film’s co-director, NYC artist/teacher/choreographer Kriota Willberg, will introduce the premiere and answer questions after the showing.
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==Directions and Parking==
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Museum Headquarters are located at 58 Bridge Street in downtown White River Junction, adjacent to Railroad Row, between the railroad underpass and the White River. '''Parking for Museum patrons is available on the street nearby on "Railroad Row" or in the Courthouse/Depot Parking lot.'''
  
The 7 PM pre-premiere reception with Kriota Willberg and cartoonist/animator Robert Sikoryak will open the evening at the Main Street Museum at 58 Bridge Street in White River Junction, VT, followed at 8 PM by the premiere of THE BENTFOOTES at the Center for Cartoon Studies, 92 South Main Street in White River Junction, VT. Q&A will follow.
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==[[Volunteer at the Museum]]==
  
THE BENTFOOTES is a brand new satiric feature film by Kriota Willberg and Todd Alcott (the screenwriter of ANTZ) that chronicles the (fictional) life and times of choreographer Susan Bentfoote (played by Nina Hellman) and her less-than-illustrious family throughout American history. A mockumentary fusion of Ken Burns and THIS IS SPINAL TAP, the film follows Susan’s boyfriend filmmaker Jim Raritan (James Urbaniak) as he interviews Susan, family, friends and dancers, intercut with faux-archival footage, animation, photos and memorabilia...  
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The Main Street Museum is a great place to visit, and a great place to volunteer.  
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You can do everything from museum sitting, to helping out with arranging and maintaining displays, researching and writing museum labels, and, eventually, helping with refreshments or setting up for special events like concerts and First Fridays open house nights.
  
([[What's Goin On?!|''learn less'']])
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E-mail us at info@mainstreetmuseum.org for more information, or call us at 8(zero)2-356-2776.
  
==[[Links|Places we Like; Links on the "World Wide Web"]]==
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==[[What's Goin On?!|Upcoming Events]]!==
  
Places around world that we like, Cyber and Real. Links to Old and New. Above [[Links|(click there).]]
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[[What's Goin On?!|Check out our full schedule here!]]
  
==[[Testimonials]]==
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==[[Catawiki]]==
[[Image:Seamonsterlecture.jpg|thumb|A lecturer discusses the Sea-Monster.]]
 
  
“The Main Street Museum—White River Junction’s answer to the Library of Congress.”
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The Main Street Museum's [[Catawiki]] is a unique digital initiative in material culture studies utilizing open-source code to describe the artifacts in our collections and to create a completely fluid, adaptive taxonomic structure for their interpretation. The Catawiki uses the same "wiki" code utilized by "Wikipedia" and is able to be modified by users from any internet access point. The categories currently acting as a organizational foundation for these structures are:
—Peter Welch, U. S. House of Representatives, 2007.
 
  
“It is only due to organizations such as yours that the important works of our Country are brought to the attention of the public.
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*[[Objects as Evidence of Human Culture]], for instance: Pet Toys; Geographically or Historically Significant Items (Relics); Manuscripts; Art; Military History; Textiles and Clothing; Shoes; and "Things, or Fragments of Things Once Owned by, or Associated with, Notable People Particularly Notable Vermonters".  
—Marie Reilly, Museum of Bad Art, Dedham, 1998.
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*[[Biology]]: Living, or Apparently Once Living, Objects, including
[ [[Testimonials|''learn less...'']] ]
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**[[Flora]]: "The Invasive and Native Species of Windsor County" for instance, or "Dried Roses from Robert Todd Lincolns House in Manchester, Vermont" and "[[Camellia Blossoms and Leaves from the Varina and Jefferson Davis Memorial]]".
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**[[Fauna]] includes: Homo-sapiens; White-tailed Deer and Other Mammalia; Reptiles; Birds; [[Entomology]] (Insects); Corals; Flocked Pets; Other, or Unidentified Species; etc.
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*Inanimate, or Apparently Inanimate Objects, or Boxes of Rocks including Minerals, Man-made Minerals, Silt from the 1927 Flood, Round and/or Rusted Things.
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*And, of course, Miscellaneous or [[Other Things]].
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*[[Vinculum Categories|Vinculum (or Overlapping) Categories]] can be accessed from the sidebar to the left and include: Carbon; Color as a Hysterical Reaction; Cute Things; Flocking; Objects Chewed by Pets; Teeth, More Teeth, Things with Nail-holes; "Things Made from Animals or Parts of Animals" and Tramps and Hobos.
  
[[Image:Flockeddog.jpg|thumb|What is he thinking about, right now?]]
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==[[Publicity]] and [[Press Clippings]]==
  
==[[Main Street Museum Catalog of Artifacts (Catawiki)]]==
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Read what we write about ourselves. Read what others write about us.
  
*[[Objects as Evidence of Human Culture]]
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===[[Testimonials]]===
*[[Pet Toys]]
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<blockquote>The Main Street Museum—White River Junction's answer to the Library of Congress. <br/>—'''Peter Welch''', U. S. House of Representatives, 2007.</blockquote>
*[[Two Dimensional Evidence Paper; Archive Collections]]
 
*[[Military History Collection]]
 
*[[Art]]
 
*[[Fauna; Living, or Apparently Once Living, Objects]]
 
*[[Flora; Living, or Apparently Once Living, Objects]]
 
*[[Entomology; Insects]]
 
*[[Minerals; Inanimate, or Apparently Inanimate Objects]]
 
*[[Other]]
 
*[[Vinculum Categories]]
 
  
==[[The (Virtual) Restroom]]==
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<blockquote>It is only due to organizations such as yours that the important works of our Country are brought to the attention of the public. <br/>—'''—Marie Reilly''', Museum of Bad Art, Dedham, 1998. [[Testimonials|''learn less...!'']]</blockquote>
  
== Miscellanea. Discursions on Material Culture Studies ==
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<blockquote>The Main Street Museum forces one to contemplate the nature of museums and curating. Why do we save what we save? How do we decide what to discard, what to display, what to hide away, and what to destroy. —'''Joe Citro,''' ''Weird New England,'' 2004</blockquote>
  
:''"As in totemism, we participate in each other as we participate in the object."'' —Sartre, ''Les jeux sont faits,'' 1943, and  Norman O. Brown, ''Love's Body,'' 1966.
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[[image:KorenSM.jpg|thumb|300px|The Museum as depicted by Koren in 1996.]]
  
[[Image:TimelapseMSM12008.jpg|thumb|left|250px|[http://www.youtube.com/watch?v=xB-X7-YTXKA See the pretty clouds! Time lapse movie of the MSM building by Aloofdork.]]]
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==[[Material Culture Studies]], Including [[The Electric Organ]]==
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<blockquote>History is false. It has to be. —'''Jules David Prown'''</blockquote>
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It's really all about questions. We are a museum. We collect and preserve objects. (And other things too. But objects, mainly.) And then we do what all museums are ''supposed'' to do. We discuss the objects. We have ''conversations with you, the viewer, about the objects.'' And we have found, over the years, as we do this, that each object raises a number of questions. Sometimes it seems that each object has about five or 10 questions associated with it. And each question we research raises five or 10 more questions. And we might do this five or ten times for each object. And it also seems that we only end up answering about one question for each ten that we ask the object, or the object asks of us. But with so many questions—just multiply 5 to the 5th power—that still means that we have come up with a lot of answers in spite of ourselves. All in all, we think that the questions are more fun than the answers. But you are free to decide for yourself.
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Read what we've written about objects. Read what the experts have said as well. This is just a starting point. We have only just begun to really think about things, and ''our relationships to things.''
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[[Image:Firestationfront2007SM.jpg|thumb|300px|The exterior of our Fire Station Building during the holidays.]]
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<blockquote>A German critic, W. Bürger, writes "Our Museums...are veritable graveyard-yards in which have been heaped up, with a tumulour-like promiscuousness, the remains which have been carried thither...all are hung pell-mell upon the walls of some noncommittal gallery a kind of posthumous asylum, where a people, no longer capable of producing...come to admire this magnificent gallery of debris. —'''[[G. Brown Goode]],''' ''Museums of the Future,'' Smithsonian Institution, Washington, D. C., 1891: p. 427 </blockquote>
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[[Image:Flockeddog.jpg|thumb|300px| What is he thinking about, right now?]]
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==[[Links]]==
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Other Museum-things.
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:''"As in totemism, we participate in each other as we participate in the object."'' —'''Sartre,''' ''Les jeux sont faits,'' 1943, and  '''Norman O. Brown,''' ''Love's Body,'' 1966.
 +
 
 +
[[Image:FirestationcartooonSM.jpg|thumb|300px| Kevin Huizenga's illustration of the fire station building.]]
 +
 
 +
[[Image:Msminterior07duo.jpg|thumb|right|600px| The main exhibition space, stage and research areas of the Museum.]]
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==[[Mission Statement]]==
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----
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Hate has no place in the Upper Valley, or anywhere else for that matter.
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 +
----
 +
 
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The Main Street Museum, 58 Bridge Street, White River Junction, Vermont, 05001-1909, info@mainstreetmuseum.org, 8(zero)2.356.2776
 +
 
 +
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Latest revision as of 12:32, 31 August 2021

Msm interior museum 12079506 898929033529345 1093773669658577739 n.jpg
The Main Street Museum and the famous Underpass—charming example of the vernacular architecture of White River Junction, Vermont.
Entrancesign08.jpg

What We Are and What We Do

The Main Street Museum is a small, public collection of curiosities and artifacts, each one is significant and each one tells some kind of story about human beings and the complex, sometimes baffling universe we are a part of. The aim of the Museum is the study of an accumulation of small details, cultivating among both specialists, and among the general public, a sense of wonder at the big questions that arise when we study and categorize objects and our reactions to them. We believe that our relationships with objects are more complex than usually acknowledged—indeed sometimes far more complex.

Located in central Vermont, our collections are accessible by visiting us in person, or through our online "wiki" style catalog. At present we are open only by appointment, however. As well as studying and cataloging objects we present live music, glass lantern slide presentations, vaudeville shows, films and Spectacles to the public.

Rent the Museum! Click here for more info!

Shoppe with Us! The Museum Gifte Shoppe

The Museum Gift Shoppe is currently closing out its inventory. We still feature "White River Junction; Its not so Bad!" t-shirts, mugs, souvenirs, a wide variety of books on museums and museum-y things, our own booklets—hand-stitched, gumball machine charms and wonky gifts that "must be seen to be believed!"

Our Reading Room!

Monsters! Monsters are cool!

Come see our books!

Covid-19 Hours

The Museum is currently under construction and reorganization during our shut-down of large public events. We will be conducting outdoor projections and "spasms" on the first Fridays in the summer months of 2021. Indoor events will resume before the Fall. Email info@mainstreetmuseum.org or text 8(zero)2.356.2776 before your visit. —Thanks!

Admission

The Museum suggests a $5 to $50 donation for visiting our collections. Volunteer for an hour at the Museum and receive free admittance to the Museum!
Guided tours of the Museum and its collections include a demonstration of the Museum's 1930 Æolian Stroud player piano and 1926 Orthophonic Victrola.

Directions and Parking

Museum Headquarters are located at 58 Bridge Street in downtown White River Junction, adjacent to Railroad Row, between the railroad underpass and the White River. Parking for Museum patrons is available on the street nearby on "Railroad Row" or in the Courthouse/Depot Parking lot.

Volunteer at the Museum

The Main Street Museum is a great place to visit, and a great place to volunteer. You can do everything from museum sitting, to helping out with arranging and maintaining displays, researching and writing museum labels, and, eventually, helping with refreshments or setting up for special events like concerts and First Fridays open house nights.

E-mail us at info@mainstreetmuseum.org for more information, or call us at 8(zero)2-356-2776.

Upcoming Events!

Check out our full schedule here!

Catawiki

The Main Street Museum's Catawiki is a unique digital initiative in material culture studies utilizing open-source code to describe the artifacts in our collections and to create a completely fluid, adaptive taxonomic structure for their interpretation. The Catawiki uses the same "wiki" code utilized by "Wikipedia" and is able to be modified by users from any internet access point. The categories currently acting as a organizational foundation for these structures are:

  • Objects as Evidence of Human Culture, for instance: Pet Toys; Geographically or Historically Significant Items (Relics); Manuscripts; Art; Military History; Textiles and Clothing; Shoes; and "Things, or Fragments of Things Once Owned by, or Associated with, Notable People Particularly Notable Vermonters".
  • Biology: Living, or Apparently Once Living, Objects, including
  • Inanimate, or Apparently Inanimate Objects, or Boxes of Rocks including Minerals, Man-made Minerals, Silt from the 1927 Flood, Round and/or Rusted Things.
  • And, of course, Miscellaneous or Other Things.
  • Vinculum (or Overlapping) Categories can be accessed from the sidebar to the left and include: Carbon; Color as a Hysterical Reaction; Cute Things; Flocking; Objects Chewed by Pets; Teeth, More Teeth, Things with Nail-holes; "Things Made from Animals or Parts of Animals" and Tramps and Hobos.

Publicity and Press Clippings

Read what we write about ourselves. Read what others write about us.

Testimonials

The Main Street Museum—White River Junction's answer to the Library of Congress.
Peter Welch, U. S. House of Representatives, 2007.

It is only due to organizations such as yours that the important works of our Country are brought to the attention of the public.
—Marie Reilly, Museum of Bad Art, Dedham, 1998. learn less...!

The Main Street Museum forces one to contemplate the nature of museums and curating. Why do we save what we save? How do we decide what to discard, what to display, what to hide away, and what to destroy. —Joe Citro, Weird New England, 2004

The Museum as depicted by Koren in 1996.

Material Culture Studies, Including The Electric Organ

History is false. It has to be. —Jules David Prown

It's really all about questions. We are a museum. We collect and preserve objects. (And other things too. But objects, mainly.) And then we do what all museums are supposed to do. We discuss the objects. We have conversations with you, the viewer, about the objects. And we have found, over the years, as we do this, that each object raises a number of questions. Sometimes it seems that each object has about five or 10 questions associated with it. And each question we research raises five or 10 more questions. And we might do this five or ten times for each object. And it also seems that we only end up answering about one question for each ten that we ask the object, or the object asks of us. But with so many questions—just multiply 5 to the 5th power—that still means that we have come up with a lot of answers in spite of ourselves. All in all, we think that the questions are more fun than the answers. But you are free to decide for yourself.

Read what we've written about objects. Read what the experts have said as well. This is just a starting point. We have only just begun to really think about things, and our relationships to things.

The exterior of our Fire Station Building during the holidays.

A German critic, W. Bürger, writes "Our Museums...are veritable graveyard-yards in which have been heaped up, with a tumulour-like promiscuousness, the remains which have been carried thither...all are hung pell-mell upon the walls of some noncommittal gallery a kind of posthumous asylum, where a people, no longer capable of producing...come to admire this magnificent gallery of debris. —G. Brown Goode, Museums of the Future, Smithsonian Institution, Washington, D. C., 1891: p. 427

What is he thinking about, right now?

Links

Other Museum-things.

"As in totemism, we participate in each other as we participate in the object."Sartre, Les jeux sont faits, 1943, and Norman O. Brown, Love's Body, 1966.
Kevin Huizenga's illustration of the fire station building.
The main exhibition space, stage and research areas of the Museum.

Mission Statement


Hate has no place in the Upper Valley, or anywhere else for that matter.


The Main Street Museum, 58 Bridge Street, White River Junction, Vermont, 05001-1909, info@mainstreetmuseum.org, 8(zero)2.356.2776