Difference between revisions of "Material Culture Studies"
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'''Jules David Prown.''' ''Artifacts as Evidence.'' | '''Jules David Prown.''' ''Artifacts as Evidence.'' | ||
| − | *[[The Journal on Nordic Museums and Museology]] | + | *[[The Journal on Nordic Museums and Museology]], Nordisk Museologi. |
"Museums are engaged in an ongoing project, not always successfully, to conceal plebeian roots and some very crass commercialism. The harder they try, the more they ought to beware the visitor with sketchbook in hand." | "Museums are engaged in an ongoing project, not always successfully, to conceal plebeian roots and some very crass commercialism. The harder they try, the more they ought to beware the visitor with sketchbook in hand." | ||
[http://www.chass.utoronto.ca/~mfram/Pages/3046-wits.html] | [http://www.chass.utoronto.ca/~mfram/Pages/3046-wits.html] | ||
Revision as of 14:09, 21 August 2008
"As in totemism, we participate in each other as we participate in the object." —Sartre, Les jeux sont faits, 1943, and Norman O. Brown, Love's Body, 1966.
Jules David Prown. Artifacts as Evidence.
- The Journal on Nordic Museums and Museology, Nordisk Museologi.
"Museums are engaged in an ongoing project, not always successfully, to conceal plebeian roots and some very crass commercialism. The harder they try, the more they ought to beware the visitor with sketchbook in hand." [1]
